{"id":767,"date":"2022-07-19T14:43:51","date_gmt":"2022-07-19T12:43:51","guid":{"rendered":"https:\/\/frisia.rug.nl\/en\/?post_type=verhaal&p=238"},"modified":"2023-01-09T22:12:51","modified_gmt":"2023-01-09T21:12:51","slug":"gabbema-gasthuis","status":"publish","type":"verhaal","link":"https:\/\/frisia.rug.nl\/en\/stories\/gabbema-gasthuis\/","title":{"rendered":"A True Work of Art"},"content":{"rendered":"\n

On this location, Abbe Freerks Gabbema established a\u00a0gasthuis<\/em>\u00a0(hospice) in 1634. Today, there is still a Gabbema Hospice<\/a> on this location,\u00a0although\u00a0this is not the original building. Abbe had a son, Simon Abbes Gabbema (1628-1688), who was born in Leeuwarden and studied arts and law in Utrecht, Groningen, and Leiden. In 1659, the States of Friesland appointed him official historiographer of Friesland. In this capacity, Gabbema was interested in the language, the literature, and the history of Friesland. He collected many historical manuscripts, such as a copy of the chronicle of the\u00a0Bloemhof\u00a0monastery in Wittewierum<\/a>. In addition, Gabbema copied manuscripts that he did not own himself, and he wrote and published his own work. A large part of his own work was not published until after his death, such as his\u00a0Verhaal van de Stad Leeuwarden<\/em>\u00a0(Story of the City of Leeuwarden). After Simon\u2019s death in 1688, his sister, Walkje Gabbema, inherited his collection of historical and literary books. Walkje bequeathed her brother\u2019s books to the Gabbema\u00a0Gasthuis. A large part of the collection is now owned by the\u00a0Koninklijk Fries Genootschap<\/a>\u00a0(Royal Frisian Society), which focuses on research into and interest in the history and culture of Friesland.<\/p>\n\n\n\n

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One of the books from Simon Gabbema\u2019s collection is now in the University of Groningen Library. It is a book of tides<\/span>A book of tides is a book with prayers used by laymen. These prayers were read at set times (tides) of the day; hence the name. The book of tides was used all day long. Some prayers even had to be read in the middle of the night or at sunrise! The prayers included in a book of tides vary, but there are three prayers which are at the heart of every book of tides: the Little Office of the Blessed Virgin Mary, or Hours of the Virgin; the seven Penitential Psalms; and the Office of the Dead. The Hours of the Virgin are a series of prayers to honour the Blessed Virgin Mary, the mother of Jesus Christ. The Penitential Psalms were read to show remorse for any sins committed, and they were mainly used when someone was ill or dying. The Office of the Dead was used for loved ones who had passed away, to limit the time they spent in Purgatory. In addition to these three main prayers, almost all books of tides contain an ecclesiastical calendar with liturgical feast days and anniversaries. Books of tides were often written in monasteries, either in Dutch or in Latin.<\/span>that was written in the 15th century. On one of the first pages, Gabbema wrote his own name and position, and the year. The book is written in Dutch, but Gabbema\u2019s note is in Latin, which was the lingua franca among scholars in those days: \u2018Simon Abbes Gabbema.\u00a0Hist(oricus) Frisiae\u00a0MDCLXXXVI.\u2019 In the front of the book, Gabbema also included a long list of the various prayers that are included in this book of tides.<\/p>\n\n\n\n

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Richly decorated pages from Gabbema’s book of tides. He himself added a list of prayers (top, middle).<\/em><\/figcaption><\/figure>\n\n\n\n

The University of Groningen Library bought the book in 1802 at an auction. It is a true work of art, as it contains many decorated capitals, rubricated<\/span>Rubrication means adding structure and accents to the text with red ink, for example by writing headings and initials in red ink. In Dutch, to this day we still use the word “rubriek” for a section of text.<\/span>sentences, and elegant decorative frames, and several pages are decorated with beautiful illustrations of birds and flowers. Thanks to the lively, contrasting colours and the gleaming gold paint, the illustrations immediately stand out.<\/p>\n\n\n\n

Author: Madelief Albers<\/p>\n\n\n\n

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